About
Because robots can't.
The show
Going Human isn't an AI show — it's a human one, and AI is the pressure test. Headlines land every week swearing everything's changing; almost nobody asks what's happening to us. That's the whole job: drag every new development back to one question — does this tip humanity toward flourishing, or quietly demote our purpose and our life in community? The thumb on the scale is still ours.
The host — this is our temple, and I'm not your Oracle.
I'm not here to lecture; I don't have the answers. I'm a fellow traveler asking the questions out loud: curious, emotional, occasionally profane, always human. The show runs on a duality, because I'm both of these at once.
The Artist. A singer-songwriter. My voice comes through humanity, music, and the arts — the part of me protective as hell of the stuff no machine can counterfeit.
The Operator. Four decades leading technology and operations at Fortune 500 retailers, a master's in Real Estate Development, and two AI-coded PropTech products I build myself with APIs and Claude Code. I know exactly how the machine works.
The artist who wants to protect the human stuff, and the operator who knows exactly how the machine works. That tension isn't a bug — it's the whole show.
The format — four beats, every episode
The Stone — one thing, drilled deep, with receipts. The Ripples — a guest refracting it through their vocation and their human feelings. The Fuckery — three real headlines, sorted Fuck Yes / Fuck No / Fuck????, and you vote on the maybes. The Tsunami — one small human act before the next episode; your drop, and all of ours together is a tsunami.
The spirit
Smart. Funny. Profane. And above all, hopeful.
One house rule: every human's dignity is table stakes — not up for debate. This isn't a "both sides" show. I won't platform lies wearing a free-speech costume, or scripture swung as a club to lock people out of their own rights. You can't guard dignity while handing a mic to the folks trying to take it.
This is something we all gotta do. It's the only thing we have left.